• Bio
    • Veiled Pleasures (2022)
    • Ideas of Home (2019)
    • Bruised Food: Art Action and Ecology in Asia - A Living Laboratory (2019)
    • Secret Interiors (2018)
    • Hyphenated (2018)
    • Where Here is Elsewhere (2016)
    • The Pleasures and Dilemmas of Inheritance (2016)
    • Shimmering Spaces II (2013)
    • Shimmering Spaces III (2013)
    • 2013 Castlemaine State Festival - Biennial Periscope (2013)
    • Here with You (2011)
    • Wall Works and Other Projects (2010)
    • Something in the Air (2010)
    • Secret Files from the Working Men's College (2010)
    • Plays and Wins: the time it takes (2009)
    • Possible Worlds (2007)
    • Little Thoughts Secret Pictures (2007)
    • Neutral Readings (2002)
    • Memory and Slowness (1998)
    • Masala Mix: Opening up the Anglo - Indian Tiffin (2019)
    • The Billboard Project (2018)
    • Holding Hands (2018)
    • The Ascension (2018)
    • A Golden Circle and Graphite Orb (2016 - 2018)
    • How much does your history weigh? ...(2016)
    • Letting things be what they are (2016)
    • Between Dreaming and Dying (2015)
    • Closeness and Distance (2015)
    • Bespoke (2013)
    • P.O.S.H. (2013)
    • Elsewhere (2013)
    • Reading from Both Side (2013)
    • A.E.I.O.U. (2013)
    • Rumour (2013)
    • Standard English (2013)
    • Somersault (2013)
    • Trade (2013)
    • Eat! My Son (2013)
    • Curtain (2012)
    • Brad (2010)
    • The Colonial Garden (2010)
    • Archipelago (2009-2010)
    • 2025
    • 2021 - 2024 (shaped paintings)
    • 2020 - 2022
    • 2018 - 2019
    • 2010 - 2017
    • 2006 - 2009
    • 2000 - 2005
    • 1996 - 1999
    • 1991 - 1995
    • 1987 - 1990
    • 1985 - 1986
    • Shimmering spaces
    • Plays and Wins
    • Possible Worlds
    • Shimmering Spaces: Art and Anglo Indian Experiences
  • contact
Menu

Rhett D'Costa

  • Bio
  • Exhibitions
    • Veiled Pleasures (2022)
    • Ideas of Home (2019)
    • Bruised Food: Art Action and Ecology in Asia - A Living Laboratory (2019)
    • Secret Interiors (2018)
    • Hyphenated (2018)
    • Where Here is Elsewhere (2016)
    • The Pleasures and Dilemmas of Inheritance (2016)
    • Shimmering Spaces II (2013)
    • Shimmering Spaces III (2013)
    • 2013 Castlemaine State Festival - Biennial Periscope (2013)
    • Here with You (2011)
    • Wall Works and Other Projects (2010)
    • Something in the Air (2010)
    • Secret Files from the Working Men's College (2010)
    • Plays and Wins: the time it takes (2009)
    • Possible Worlds (2007)
    • Little Thoughts Secret Pictures (2007)
    • Neutral Readings (2002)
    • Memory and Slowness (1998)
  • Projects
    • Masala Mix: Opening up the Anglo - Indian Tiffin (2019)
    • The Billboard Project (2018)
    • Holding Hands (2018)
    • The Ascension (2018)
    • A Golden Circle and Graphite Orb (2016 - 2018)
    • How much does your history weigh? ...(2016)
    • Letting things be what they are (2016)
    • Between Dreaming and Dying (2015)
    • Closeness and Distance (2015)
    • Bespoke (2013)
    • P.O.S.H. (2013)
    • Elsewhere (2013)
    • Reading from Both Side (2013)
    • A.E.I.O.U. (2013)
    • Rumour (2013)
    • Standard English (2013)
    • Somersault (2013)
    • Trade (2013)
    • Eat! My Son (2013)
    • Curtain (2012)
    • Brad (2010)
    • The Colonial Garden (2010)
    • Archipelago (2009-2010)
  • Paintings
    • 2025
    • 2021 - 2024 (shaped paintings)
    • 2020 - 2022
    • 2018 - 2019
    • 2010 - 2017
    • 2006 - 2009
    • 2000 - 2005
    • 1996 - 1999
    • 1991 - 1995
    • 1987 - 1990
    • 1985 - 1986
  • Catalogues/Essays
    • Shimmering spaces
    • Plays and Wins
    • Possible Worlds
  • PhD
    • Shimmering Spaces: Art and Anglo Indian Experiences
  • contact

Standard English (2013) is a multi-panelled text-based artwork, which plays with language. Benedict anderson, in his highly influential book, Imagined Communities, discusses the role printed text and its dissemination had on the psyche of the people in the building of national identity. My artwork draws on ideas and words from this and other seminal texts in post- colonial thinking. words, phrases and letters are broken and fractured across the panels. perhaps this slippage allows the potential for new contexts to be formed around ideas of belonging and place.

View fullsize   Installation views from the artist's studio while developing individual panels and testing installation possibilities
View fullsize   Installation views from the artist's studio while developing individual panels and testing installation possibilities
View fullsize   Installation views from the artist's studio while developing individual panels and testing installation possibilities
View fullsize   Installation views from the artist's studio while developing individual panels and testing installation possibilities
View fullsize   Installation views from the artist's studio while developing individual panels and testing installation possibilities
View fullsize   Installation views from the artist's studio while developing individual panels and testing installation possibilities
View fullsize  D’Costa, R 2013,  Standard English  (installation view),  (detail)   Acrylic polymer, graphite pencil on plywood (81 panels)]   Shimmering Spaces Exhibition 3 , Switchback Gallery, Monash University, Gippsland, Victoria. 
View fullsize  D’Costa, R 2013,  Standard English  (installation view),  (detail)   Acrylic polymer, graphite pencil on plywood (81 panels)]   Shimmering Spaces Exhibition 3 , Switchback Gallery, Monash University, Gippsland, Victoria. 
View fullsize  D’Costa, R 2013,  Standard English  (installation view),  (detail)   Acrylic polymer, graphite pencil on plywood (81 panels)]   Shimmering Spaces Exhibition 3 , Switchback Gallery, Monash University, Gippsland, Victoria. 
View fullsize  D’Costa, R 2013,  Standard English  (installation view),    Acrylic polymer, graphite pencil on plywood (81 panels)]   Shimmering Spaces Exhibition 3 , Switchback Gallery, Monash University, Gippsland, Victoria. 
View fullsize  D’Costa, R 2013,  Standard English  (installation view),    Acrylic polymer, graphite pencil on plywood (81 panels)]   Shimmering Spaces Exhibition 3 , Switchback Gallery, Monash University, Gippsland, Victoria. 

Images 1-6 Installation views from the artist's studio

Images 7 -11 D’Costa, R 2013, Standard English (installation view), [acrylic polymer, graphite pencil on plywood (81 panels)], for Shimmering Spaces Exhibition 3, Switchback Gallery, Monash University, Gippsland, Victoria. 

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