• Bio
    • Veiled Pleasures (2022)
    • Ideas of Home (2019)
    • Bruised Food: Art Action and Ecology in Asia - A Living Laboratory (2019)
    • Secret Interiors (2018)
    • Hyphenated (2018)
    • Where Here is Elsewhere (2016)
    • The Pleasures and Dilemmas of Inheritance (2016)
    • Shimmering Spaces II (2013)
    • Shimmering Spaces III (2013)
    • 2013 Castlemaine State Festival - Biennial Periscope (2013)
    • Here with You (2011)
    • Wall Works and Other Projects (2010)
    • Something in the Air (2010)
    • Secret Files from the Working Men's College (2010)
    • Plays and Wins: the time it takes (2009)
    • Possible Worlds (2007)
    • Little Thoughts Secret Pictures (2007)
    • Neutral Readings (2002)
    • Memory and Slowness (1998)
    • Masala Mix: Opening up the Anglo - Indian Tiffin (2019)
    • The Billboard Project (2018)
    • Holding Hands (2018)
    • The Ascension (2018)
    • A Golden Circle and Graphite Orb (2016 - 2018)
    • How much does your history weigh? ...(2016)
    • Letting things be what they are (2016)
    • Between Dreaming and Dying (2015)
    • Closeness and Distance (2015)
    • Bespoke (2013)
    • P.O.S.H. (2013)
    • Elsewhere (2013)
    • Reading from Both Side (2013)
    • A.E.I.O.U. (2013)
    • Rumour (2013)
    • Standard English (2013)
    • Somersault (2013)
    • Trade (2013)
    • Eat! My Son (2013)
    • Curtain (2012)
    • Brad (2010)
    • The Colonial Garden (2010)
    • Archipelago (2009-2010)
    • 2025
    • 2021 - 2024 (shaped paintings)
    • 2020 - 2022
    • 2018 - 2019
    • 2010 - 2017
    • 2006 - 2009
    • 2000 - 2005
    • 1996 - 1999
    • 1991 - 1995
    • 1987 - 1990
    • 1985 - 1986
    • Shimmering spaces
    • Plays and Wins
    • Possible Worlds
    • Shimmering Spaces: Art and Anglo Indian Experiences
  • contact
Menu

Rhett D'Costa

  • Bio
  • Exhibitions
    • Veiled Pleasures (2022)
    • Ideas of Home (2019)
    • Bruised Food: Art Action and Ecology in Asia - A Living Laboratory (2019)
    • Secret Interiors (2018)
    • Hyphenated (2018)
    • Where Here is Elsewhere (2016)
    • The Pleasures and Dilemmas of Inheritance (2016)
    • Shimmering Spaces II (2013)
    • Shimmering Spaces III (2013)
    • 2013 Castlemaine State Festival - Biennial Periscope (2013)
    • Here with You (2011)
    • Wall Works and Other Projects (2010)
    • Something in the Air (2010)
    • Secret Files from the Working Men's College (2010)
    • Plays and Wins: the time it takes (2009)
    • Possible Worlds (2007)
    • Little Thoughts Secret Pictures (2007)
    • Neutral Readings (2002)
    • Memory and Slowness (1998)
  • Projects
    • Masala Mix: Opening up the Anglo - Indian Tiffin (2019)
    • The Billboard Project (2018)
    • Holding Hands (2018)
    • The Ascension (2018)
    • A Golden Circle and Graphite Orb (2016 - 2018)
    • How much does your history weigh? ...(2016)
    • Letting things be what they are (2016)
    • Between Dreaming and Dying (2015)
    • Closeness and Distance (2015)
    • Bespoke (2013)
    • P.O.S.H. (2013)
    • Elsewhere (2013)
    • Reading from Both Side (2013)
    • A.E.I.O.U. (2013)
    • Rumour (2013)
    • Standard English (2013)
    • Somersault (2013)
    • Trade (2013)
    • Eat! My Son (2013)
    • Curtain (2012)
    • Brad (2010)
    • The Colonial Garden (2010)
    • Archipelago (2009-2010)
  • Paintings
    • 2025
    • 2021 - 2024 (shaped paintings)
    • 2020 - 2022
    • 2018 - 2019
    • 2010 - 2017
    • 2006 - 2009
    • 2000 - 2005
    • 1996 - 1999
    • 1991 - 1995
    • 1987 - 1990
    • 1985 - 1986
  • Catalogues/Essays
    • Shimmering spaces
    • Plays and Wins
    • Possible Worlds
  • PhD
    • Shimmering Spaces: Art and Anglo Indian Experiences
  • contact
Eat! My Son, (2013) was a one day relational event, which involved sharing food prepared and cooked by my octogenarian mother and me. This event was held in the same site as the installation, Trade (2013) during the Castlemaine State Festival 2013. …

Eat! My Son, (2013) was a one day relational event, which involved sharing food prepared and cooked by my octogenarian mother (Philomena Peters) and me. This event was held in the same site as the installation, Trade (2013) during the Castlemaine State Festival 2013. Together, Trade (2013) and Eat! My Son (2013) engage Bhabha’s question: ‘How does the post-colonial condition influence the problem of the Past? (Bhabha 2009, p. 33). The primary intention for Trade (2013) is to bring forward problems inherent in trading practices during colonial times, specifically relating to exploitation and power. Eat! My Son (2013) shifts this condition by presenting a space of inclusion and non-hierarchy, where food is cooked (using the spices from Trade (2013)) and freely shared among the participants. The participatory event attracted more than 200 people who we shared a ubiquitious Indian meal of rice, dhal, vegetable curry and a brinjal pickle.  For images please see 'exhibitions' under '2013 Castlemaine State Festival - Biennial Periscope.'

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