• Bio
    • Veiled Pleasures (2022)
    • Ideas of Home (2019)
    • Bruised Food: Art Action and Ecology in Asia - A Living Laboratory (2019)
    • Secret Interiors (2018)
    • Hyphenated (2018)
    • Where Here is Elsewhere (2016)
    • The Pleasures and Dilemmas of Inheritance (2016)
    • Shimmering Spaces II (2013)
    • Shimmering Spaces III (2013)
    • 2013 Castlemaine State Festival - Biennial Periscope (2013)
    • Here with You (2011)
    • Wall Works and Other Projects (2010)
    • Something in the Air (2010)
    • Secret Files from the Working Men's College (2010)
    • Plays and Wins: the time it takes (2009)
    • Possible Worlds (2007)
    • Little Thoughts Secret Pictures (2007)
    • Neutral Readings (2002)
    • Memory and Slowness (1998)
    • Masala Mix: Opening up the Anglo - Indian Tiffin (2019)
    • The Billboard Project (2018)
    • Holding Hands (2018)
    • The Ascension (2018)
    • A Golden Circle and Graphite Orb (2016 - 2018)
    • How much does your history weigh? ...(2016)
    • Letting things be what they are (2016)
    • Between Dreaming and Dying (2015)
    • Closeness and Distance (2015)
    • Bespoke (2013)
    • P.O.S.H. (2013)
    • Elsewhere (2013)
    • Reading from Both Side (2013)
    • A.E.I.O.U. (2013)
    • Rumour (2013)
    • Standard English (2013)
    • Somersault (2013)
    • Trade (2013)
    • Eat! My Son (2013)
    • Curtain (2012)
    • Brad (2010)
    • The Colonial Garden (2010)
    • Archipelago (2009-2010)
    • 2025
    • 2021 - 2024 (shaped paintings)
    • 2020 - 2022
    • 2018 - 2019
    • 2010 - 2017
    • 2006 - 2009
    • 2000 - 2005
    • 1996 - 1999
    • 1991 - 1995
    • 1987 - 1990
    • 1985 - 1986
    • Shimmering spaces
    • Plays and Wins
    • Possible Worlds
    • Shimmering Spaces: Art and Anglo Indian Experiences
  • contact
Menu

Rhett D'Costa

  • Bio
  • Exhibitions
    • Veiled Pleasures (2022)
    • Ideas of Home (2019)
    • Bruised Food: Art Action and Ecology in Asia - A Living Laboratory (2019)
    • Secret Interiors (2018)
    • Hyphenated (2018)
    • Where Here is Elsewhere (2016)
    • The Pleasures and Dilemmas of Inheritance (2016)
    • Shimmering Spaces II (2013)
    • Shimmering Spaces III (2013)
    • 2013 Castlemaine State Festival - Biennial Periscope (2013)
    • Here with You (2011)
    • Wall Works and Other Projects (2010)
    • Something in the Air (2010)
    • Secret Files from the Working Men's College (2010)
    • Plays and Wins: the time it takes (2009)
    • Possible Worlds (2007)
    • Little Thoughts Secret Pictures (2007)
    • Neutral Readings (2002)
    • Memory and Slowness (1998)
  • Projects
    • Masala Mix: Opening up the Anglo - Indian Tiffin (2019)
    • The Billboard Project (2018)
    • Holding Hands (2018)
    • The Ascension (2018)
    • A Golden Circle and Graphite Orb (2016 - 2018)
    • How much does your history weigh? ...(2016)
    • Letting things be what they are (2016)
    • Between Dreaming and Dying (2015)
    • Closeness and Distance (2015)
    • Bespoke (2013)
    • P.O.S.H. (2013)
    • Elsewhere (2013)
    • Reading from Both Side (2013)
    • A.E.I.O.U. (2013)
    • Rumour (2013)
    • Standard English (2013)
    • Somersault (2013)
    • Trade (2013)
    • Eat! My Son (2013)
    • Curtain (2012)
    • Brad (2010)
    • The Colonial Garden (2010)
    • Archipelago (2009-2010)
  • Paintings
    • 2025
    • 2021 - 2024 (shaped paintings)
    • 2020 - 2022
    • 2018 - 2019
    • 2010 - 2017
    • 2006 - 2009
    • 2000 - 2005
    • 1996 - 1999
    • 1991 - 1995
    • 1987 - 1990
    • 1985 - 1986
  • Catalogues/Essays
    • Shimmering spaces
    • Plays and Wins
    • Possible Worlds
  • PhD
    • Shimmering Spaces: Art and Anglo Indian Experiences
  • contact

Reading from Both Sides (2013)

The process of making Reading from Both Sides was very labour intensive. it involved hand stitching a repeated grid pattern in gold thread on 300gsm paper. the front of the image is a grid, a conventional tropeused in western abstract art. it is ordered, logical and unwavering in its highly organized structure. the reverse side of the image reveals a complex and subtle dismantling of this structure. Rather than being in opposition, i recognized that both sides could be read contrapuntally. i have made three versions of this work, two i have installed as works attached to the wall. the final work is shown as a material object, gently folded over and placed on a wooden base on the floor, revealing and concealing both sides of the form.

View fullsize    Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Testing installation variation for  Reading from Both Sides  (2013),   poly cotton thread, acrylic polymer on Arches 300 gsm, wood;   230 cm x 155 cm. 
View fullsize   Early versions testing variations for  Reading from Both Sides
View fullsize   Early versions testing variations for  Reading from Both Sides
View fullsize  Stitching detail for  Reading from both Sides

L to R  - 1 to 12

1 Reading from Both Sides (2013), poly cotton thread, acrylic polymer on Arches 300 gsm, wood; 230 cm x 155 cm. 

2-12 testing variations 

13 - 15 early versions testing variations

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